Theatre
Theatre interviews
- Zara Larsson: ‘I cared a lot about radio play – now I care about what I think is cool’
- Sigrid: ‘I wear my heart on my sleeve – but don’t f**k with me’
- Billy Porter: ‘Unlike some of my white, straight counterparts, it matters when I win an award’
- Eurovision winner Nemo: ‘I wish that I felt more understood by the world’
- Scissor Sisters: ‘Our comeback had the potential to be really tragic’
- Rebecca Black: ‘The pressure to create music with no budget is nauseating’
- Charlotte Church: ‘I get sh*t all the time for speaking out – I just don’t care’
- David Archuletta: ‘Coming out as queer doesn’t make me a different person’
- Patrick Wolf: ‘After my mother’s death, I had to rebuild my life’
- Kate Nash: ‘Feminists who are anti-trans trolls? How f***ing embarrassing’
- Slayyyter: ‘I’d love to have a huge breakthrough, but culture is just different now’
- Rita Ora: ‘Attacks on LGBTQ+ rights make me so angry – It’s heartbreaking’
- Becky Hill: ‘Since coming out, my relationship with myself as changed’
- Agnes: ‘I’ve had a lot of self doubt, but disco is the light at the end of the tunnel’
Features, reviews and listicles
- Inside the songwriting camp helping LGBTQ+ songwriters to thrive: ‘Pop has always been queer’
- How trans and non-binary musicians are fighting for space in the industry: ‘We’re starting to feel seen’
- All of Lady Gaga’s lead singles ranked, from ‘Just Dance’ to ‘Disease’
- ‘Troye Sivan’s Rush music video exposes how Sam Smith backlash is rooted in fatphobia’
- Lady Gaga’s Mayhem review: ‘‘Bold, versatile and never boring, Mayhem is a return to form’